Post by Fuggle on Jul 8, 2004 11:04:38 GMT -5
Public Image Ltd.
Interviewed on KROQ106.7 FM Burbank CA.
July 3rd, 1986
Interviewed by 'Jed The Fish'
(JF: Jed The Fish - JL: John Lydon - BS: Bruce Smith)
(plays 'Rise')
JF: Could I ask you real quick about 'anger is an energy'? Is that kind of a true statement or is that an observation?
JL: Well, of course it is! I deal in nothing but the truth.
JF: Because I never really thought of it like that before.
JL: Well, it sure beats apathy doesn't it? And that seems to be what this world suffers from in a great deal.
JF: Yes, thats right. In case you didn't know we're talking to two members of PiL, Public Image Ltd. Bruce Smith who plays drums, and John Lydon who plays ...voice!
BS: Who howls affectionately!
JF: I was going to ask you about your voice. It's not exactly a typical vocalist type voice is it?
JL: We don't exactly make typical type songs, either.
JF: Thats right. It sort of puts terror in my heart occasionally.
JL: Yes. Originality does that in a lot of people.
JF: Well, not just originality. It's a very unique quality your voice has.
JL: Well, I could stat here all day and listen to this! Carry on!
JF: It sort of reaches inside a persons psyche and makes them worry about things they never thought of worrying about before.
JL: Good then at least I'm achieving something.
JF: You certainly are. You're playing in front of probably upwards of 3,000 people at the Palladium this Saturday.
JL: Yeah quite easily.
JF: Have you played there before?
JL: Yes. Its not a bad venue. And the crowds in LA are perfect for the kind of din we kick up!
JF: This is a weekend we celebrate traditionally. Its called July 4th
BS: Yeah we know all about it. We've been having the Statue of Liberty shoved in our faces everyday!
JF: Oh, gosh! Thats enough to make me gag!
JL: Imagine how us poor tourists feel!
JF: Wait a minute. You're not a tourist are you?
JL: I am occasionally.
JF: Not here.
JL: Anywhere. I don't live anywhere in particular. Wherever I plunk my bottom for that couple of months, I call home.
JF: You did some plunking here in Pasadena not to long ago, didn't you?
JL: Thats right. And the office is right across the street from ya.
JF: It still is?
JL: The office is, but we're not in it.
JF: Oh I see. Are you going to do some fireworks of your own on Saturday?
JL: No. Its much easier to just sit there, get drunk and watch every other sod spend money on it! Thats my idea of leisure!
JF: Do you have a new band this time around?
JL: No, this is a permanent band now.
JF: It is?
JL:Yes.
JF: I thought you were fond of firing people in your band.
JL: Only the rubbish. And theres none of that this time.
JF: Oh thats good.
JL: Bye bye, rubbish! If you're out there listening!
JF: Whats it like back stage at a PiL gig?
JL: Really miserable.
BS: Yeah. Very quiet. Its like a monastary. We're monks, one and all.
JF: No entourages?
BS: I've hoped not, no. As few people as possible.
JF: And how much material is just PiL material in the set? Excuse me songs...
JL: (sigh) Is that a sly way of saying do we do any Pistol numbers? We have been known to from time to time.
BS: Yeah. Drop in a few there. You know a couple of bombs here and there.
JL: Theres a few surprises in this set. Its very varied.
JF: Very varied?
JL: Yes.
JF: Did you have a time when you would not put Sex Pistols songs in the set on purpose?
JL: Yes. We had a time zone when we would not do that.
JF: Speaking of Time Zone, Thats one of the most popular dance records on the west coast of all time. Are you aware of that?
JL: No, I'm not. Hardly surprising though. Really, humbly speaking here!
JF: You can put it on and even people over 21 will dance.
JL: Well, now that does surprise me! See, theres more to life than the Grateful Dead, boys and girls!
JF: What was it like getting connected with Afrika Bambaataa?
JL: Afrika? He's alright. I mean, he wanted to do it. He also did a record with James Brown which I remember him particularly telling me that I was the best fun he had ever been with in the studio.
JF: That was shortly before his collaboration with James Brown?
JL: After.
JF: Well thats quite flattering!
JL: Yeah, he was probably lying but, you know, these things in ease!
JF: Well, you know what they do on dance singles? They put an accappella track down. You know what that is? Thats when they run the same track without the music. And theres a track with James Brown and Afrika Bambaataa this is absolutely hysterical! Everyones gotta love it! Hoo-lo! Get back! Stuff like that.
JL: Do you take drugs? Theres your question! Doesn't require an answer. No comment.
JF: Sure it does. No, I used to. And found that I wasn't getting much done.
JL: What? Para-seasonal? Yeah, me too.
JF: Para-seasonal?
JL: Till they started tampering with it!
JF: I want to know what it was like when that song came together in the studio. Did you write it? Did you do a demo of it and then come in and do it?
JL: Well, we had a few lyrics. We went in, put a drum beat down on the machine and did the whole thing in about 4 1/2 hours. It was very, very quick.
BS: As the best records often are.
JL: They say you can't rush talent but you can!
BS: You have to know what you are doing.
JF: Lots of times you have to have pressure as an added stimulant.
JL: I would say it would be essential, yes. Otherwise you get fat and lazy about what you are doing and you lose yourself.
JF: Does PiL ever do that? Just go in and...
JL: Always, always, always. I don't ever mess around in the studio.
JF: Ok. Do you ever do demo tapes and then go in and record them?
JL: Yes. Yes.
JF: So you do your messing about before you go into the studio?
JL: You're damn right! The prices they charge these days, only a lunatic would do it any other way!
JF: We're talking to John Lydon a.k.a. Johnny Rotten and Bruce Smith...
JL: Who you can meet in person, shortly, if you come to Long Beach at Zed Records.
JF: Oh Zed! You're down at Zed?!
JL: Yes. This afternoon.
JF: Michael at Zed Records is just a great person. Thats where I used to get all my stuff. All right, you're going to be there at what time?
BS: Six o' clock I beleive.
JL: Five.
BS: Five. Ok, five. Zed Records in Long Beach.
JF: And we'll get an address on that. We're talking to PiL. We'll be right back.
(commercial break)
JF: We're back with PiL, Public Image Ltd. and Johnny Rotten. Still go by Johnny Rotten don't you?
JL: Yeah, I do. On autographs. Its only on cheques I sign Lydon. And I'll be signing plenty of them at Zed Records this afternoon!
JF: It's on Lakewood Blvd. And we haven't figured out the address, but it's...oh yeah. It's 1910.
JL: 1904...1910.
JF: 1910 Lakewood Blvd.
JL: Y'all come down there!
JF: We also want to mention that you're going to be at the Pacific Ampitheatre on July 7th, Monday, July 7th. And, of course, this Saturday at the Palladium. Where did the name Johnny Rotten come from?
JL: Cause I've got vile teeth!
JF: Let me see.
BS: And thats the truth!
JF: Thats not so vile.
JL: Oh, this is after the dentist has been at them. You should've seen them before. They were green!
JF: Well, here. Have some water. If they're that vile, they'll wash right down your throat! Did you name yourself Johnny Rotten?
JL: No, I didn't. Steve Jones did.
JF: Oh really?
JL: I know. Isn't that the pot calling the kettle black?!
JF: Are you in contact with him?
JL: Yeah. We're still mates. He lives out here apparently.
JF: He lives here?
JL: Yeah. In LA.
JF: Well, you don't say where you live. Why should we say where he lives?
JL: I live all over.
JF: I saw him on stage with Charlie Sexton. I gotta say, he did one of the most boring lead solos I've ever seen in my life!
JL: With one of the most boring people! Charlie Sexton! Didn't he win some hairdo on MTV competition?
Interviewed on KROQ106.7 FM Burbank CA.
July 3rd, 1986
Interviewed by 'Jed The Fish'
(JF: Jed The Fish - JL: John Lydon - BS: Bruce Smith)
(plays 'Rise')
JF: Could I ask you real quick about 'anger is an energy'? Is that kind of a true statement or is that an observation?
JL: Well, of course it is! I deal in nothing but the truth.
JF: Because I never really thought of it like that before.
JL: Well, it sure beats apathy doesn't it? And that seems to be what this world suffers from in a great deal.
JF: Yes, thats right. In case you didn't know we're talking to two members of PiL, Public Image Ltd. Bruce Smith who plays drums, and John Lydon who plays ...voice!
BS: Who howls affectionately!
JF: I was going to ask you about your voice. It's not exactly a typical vocalist type voice is it?
JL: We don't exactly make typical type songs, either.
JF: Thats right. It sort of puts terror in my heart occasionally.
JL: Yes. Originality does that in a lot of people.
JF: Well, not just originality. It's a very unique quality your voice has.
JL: Well, I could stat here all day and listen to this! Carry on!
JF: It sort of reaches inside a persons psyche and makes them worry about things they never thought of worrying about before.
JL: Good then at least I'm achieving something.
JF: You certainly are. You're playing in front of probably upwards of 3,000 people at the Palladium this Saturday.
JL: Yeah quite easily.
JF: Have you played there before?
JL: Yes. Its not a bad venue. And the crowds in LA are perfect for the kind of din we kick up!
JF: This is a weekend we celebrate traditionally. Its called July 4th
BS: Yeah we know all about it. We've been having the Statue of Liberty shoved in our faces everyday!
JF: Oh, gosh! Thats enough to make me gag!
JL: Imagine how us poor tourists feel!
JF: Wait a minute. You're not a tourist are you?
JL: I am occasionally.
JF: Not here.
JL: Anywhere. I don't live anywhere in particular. Wherever I plunk my bottom for that couple of months, I call home.
JF: You did some plunking here in Pasadena not to long ago, didn't you?
JL: Thats right. And the office is right across the street from ya.
JF: It still is?
JL: The office is, but we're not in it.
JF: Oh I see. Are you going to do some fireworks of your own on Saturday?
JL: No. Its much easier to just sit there, get drunk and watch every other sod spend money on it! Thats my idea of leisure!
JF: Do you have a new band this time around?
JL: No, this is a permanent band now.
JF: It is?
JL:Yes.
JF: I thought you were fond of firing people in your band.
JL: Only the rubbish. And theres none of that this time.
JF: Oh thats good.
JL: Bye bye, rubbish! If you're out there listening!
JF: Whats it like back stage at a PiL gig?
JL: Really miserable.
BS: Yeah. Very quiet. Its like a monastary. We're monks, one and all.
JF: No entourages?
BS: I've hoped not, no. As few people as possible.
JF: And how much material is just PiL material in the set? Excuse me songs...
JL: (sigh) Is that a sly way of saying do we do any Pistol numbers? We have been known to from time to time.
BS: Yeah. Drop in a few there. You know a couple of bombs here and there.
JL: Theres a few surprises in this set. Its very varied.
JF: Very varied?
JL: Yes.
JF: Did you have a time when you would not put Sex Pistols songs in the set on purpose?
JL: Yes. We had a time zone when we would not do that.
JF: Speaking of Time Zone, Thats one of the most popular dance records on the west coast of all time. Are you aware of that?
JL: No, I'm not. Hardly surprising though. Really, humbly speaking here!
JF: You can put it on and even people over 21 will dance.
JL: Well, now that does surprise me! See, theres more to life than the Grateful Dead, boys and girls!
JF: What was it like getting connected with Afrika Bambaataa?
JL: Afrika? He's alright. I mean, he wanted to do it. He also did a record with James Brown which I remember him particularly telling me that I was the best fun he had ever been with in the studio.
JF: That was shortly before his collaboration with James Brown?
JL: After.
JF: Well thats quite flattering!
JL: Yeah, he was probably lying but, you know, these things in ease!
JF: Well, you know what they do on dance singles? They put an accappella track down. You know what that is? Thats when they run the same track without the music. And theres a track with James Brown and Afrika Bambaataa this is absolutely hysterical! Everyones gotta love it! Hoo-lo! Get back! Stuff like that.
JL: Do you take drugs? Theres your question! Doesn't require an answer. No comment.
JF: Sure it does. No, I used to. And found that I wasn't getting much done.
JL: What? Para-seasonal? Yeah, me too.
JF: Para-seasonal?
JL: Till they started tampering with it!
JF: I want to know what it was like when that song came together in the studio. Did you write it? Did you do a demo of it and then come in and do it?
JL: Well, we had a few lyrics. We went in, put a drum beat down on the machine and did the whole thing in about 4 1/2 hours. It was very, very quick.
BS: As the best records often are.
JL: They say you can't rush talent but you can!
BS: You have to know what you are doing.
JF: Lots of times you have to have pressure as an added stimulant.
JL: I would say it would be essential, yes. Otherwise you get fat and lazy about what you are doing and you lose yourself.
JF: Does PiL ever do that? Just go in and...
JL: Always, always, always. I don't ever mess around in the studio.
JF: Ok. Do you ever do demo tapes and then go in and record them?
JL: Yes. Yes.
JF: So you do your messing about before you go into the studio?
JL: You're damn right! The prices they charge these days, only a lunatic would do it any other way!
JF: We're talking to John Lydon a.k.a. Johnny Rotten and Bruce Smith...
JL: Who you can meet in person, shortly, if you come to Long Beach at Zed Records.
JF: Oh Zed! You're down at Zed?!
JL: Yes. This afternoon.
JF: Michael at Zed Records is just a great person. Thats where I used to get all my stuff. All right, you're going to be there at what time?
BS: Six o' clock I beleive.
JL: Five.
BS: Five. Ok, five. Zed Records in Long Beach.
JF: And we'll get an address on that. We're talking to PiL. We'll be right back.
(commercial break)
JF: We're back with PiL, Public Image Ltd. and Johnny Rotten. Still go by Johnny Rotten don't you?
JL: Yeah, I do. On autographs. Its only on cheques I sign Lydon. And I'll be signing plenty of them at Zed Records this afternoon!
JF: It's on Lakewood Blvd. And we haven't figured out the address, but it's...oh yeah. It's 1910.
JL: 1904...1910.
JF: 1910 Lakewood Blvd.
JL: Y'all come down there!
JF: We also want to mention that you're going to be at the Pacific Ampitheatre on July 7th, Monday, July 7th. And, of course, this Saturday at the Palladium. Where did the name Johnny Rotten come from?
JL: Cause I've got vile teeth!
JF: Let me see.
BS: And thats the truth!
JF: Thats not so vile.
JL: Oh, this is after the dentist has been at them. You should've seen them before. They were green!
JF: Well, here. Have some water. If they're that vile, they'll wash right down your throat! Did you name yourself Johnny Rotten?
JL: No, I didn't. Steve Jones did.
JF: Oh really?
JL: I know. Isn't that the pot calling the kettle black?!
JF: Are you in contact with him?
JL: Yeah. We're still mates. He lives out here apparently.
JF: He lives here?
JL: Yeah. In LA.
JF: Well, you don't say where you live. Why should we say where he lives?
JL: I live all over.
JF: I saw him on stage with Charlie Sexton. I gotta say, he did one of the most boring lead solos I've ever seen in my life!
JL: With one of the most boring people! Charlie Sexton! Didn't he win some hairdo on MTV competition?