#1
Dave Nalle
URL
March 12, 2006
12:19 PMI think you missed the context of Lydon's comment about the fans. The Sex Pistols ALWAYS made a point of hating their fans. The despised and derided them from day one. That was part of their charm. They were such absolute dickheads. For them hate was how they expressed themselves.
As for a reunion or a performance at the Rock and Roll Hall of Fame, there's no way it could happen. They could barely perform when they were young and in practice. There's no way they could bring themselves up to even that level of minimal two-chord viabilitty today.
Dave
#2
A.L. Harper
URL
March 12, 2006
01:44 PMScott I have to agree with Dave here. They always made it a point to hate their fans. When I was 16 that was one of the things I thought made them so cool. Too cool to care kind of a thing.
I also agree with you however in that they really sucked. Now I look back on them. I always did prefer the DK.
#3
Vern Halen
March 12, 2006
03:59 PMNo, I don't think it can be said they sucked. They were a "tightly sloppy" li'l rock 'n' roll unit, if you get my meaning. Musically, just listen to that 4 note guitar solo in "God Save the Queen," or that pause & chuckle before the first verse of "Anarchy." Lyrically, there's the disturbing "Bodies" (which ought to be the final word in the prolife/prochoice pair of monologues), or that insane song about going on holiday to Belsen to see the gas chambers. I like the Clash for other reasons, but the Pistols didn't suck - mostly because they didn't care if they did or not.
#4
Scott Butki
March 12, 2006
04:07 PMDave and A.L., you're right I did miss that important point. They probably could care less if their fans threw cds at other artists - they are just making a point of insulting their own fan base.
But yes, musically they are quite underwhelming.
#5
Scott Butki
March 12, 2006
04:54 PMWell, that explains why most media focused articles lately about the Sex Pistols on them selling out by putting their catalogue up for sale by advertisers.
#6
LiamFan
March 12, 2006
08:21 PMPersonally, I've never heard a Pistols song used in an ad, but I've heard numerous Clash tunes used on commercials.
And Joe Strummer himself would disagree with your putting quotes around "original" when describing the Pistols. If it weren't for the Pistols, there would have been no Clash, not to mention any of the "new" punk bands mentioned.
#7
Scott Butki
March 12, 2006
09:49 PMI just got an email about your comments.
I'll go post this over there:
You may be right that there would not be a Clash without the Pistols but that doesn't change whether the
Clash were more talented, had more integrity or were interested in ideas more than money than the Sex Pistols.
I put "originals" because there were U.S. bands like the Ramones that could be considered precursors to the Pistols.
I lost a lot of respect for the Pistols when they did their reunion tour.
To me comparing the two are like comparing the Beatles with the Monkees... except if the Monkees came first.
#8
LiamFan
March 12, 2006
10:17 PMScott, you're younger than I am if I remember correctly. The Pistols came out when I was 19 and Rick was 17. You might feel differently had you been there at the beginning. Hearing 'Anarchy in the UK' for the first time was, quite simply, a life changing experience. In the midst of the musical wasteland that was disco, there was suddenly something exciting and completely different from anything that came before. While the Ramones had what would later be labeled the punk sound, there was no political agenda, and to pretend that the Pistols had no political bent is naive, despite the marketing that surrounded them.
#9
T
March 12, 2006
10:41 PMScott, i think the other point you missed is that John and the boys were all about screwing the system for cash. They took EMI, they took A&M, they took their fans money and did nothing in return..that's what it was about. The music was a sideline.
You have to remember music at that time was dominated by Gary Glitter, Bay City Rollers, and other glam rockers who were completely out of touch with the immense poverty that was going on, not to mention the garbage strike that went on for years--that's why john wore trash because that's what he knew, that's what he saw everyday. They should be remembered for the truth that they lived, adn brought to the stage.
Malcolm was the ass who screwed them over with the bullshit marketing and taking more than his share of the dough. The boys were broke at the end of it all.
So, my point is this, if John wants to make some dough then he's got my support. Maybe their music wasn't great but they did us all a favor by bringing back the spirit of music being raw, emotional, and three cords of pure anger.
What we need now is another band like them to rid us of the Gary Glitters of our time and boy there are a million of them----if I ever see any band claiming their punk when they are pop---I will spit in their face and scream Pistol's lyrics as I laugh and walk away...
#10
Vern Halen
March 12, 2006
10:51 PMLet me throw a tip of the hat to the ORIGINAL original punks - those garage bands of the 60's that really didn't care about fame, fortune or music, because they didn't know any better. All hail the Kingsmen, the Seeds, The Count Five & The 13th Floor Elevators and all those cut from the same cloth - could the Pistols have written something as vulgar as Paul Revere & the Raiders' "Crisco Party?"
#11
Scott Butki
March 13, 2006
12:03 AMThanks for all the comments.
---------------
Telling people to have anarchy - yes, that's a message.
Taking the record companies money -yes, that too is a statement.
But I get rubbed the wrong way when they tell their fans how they should act at their concerts. That to me is suggesting submission to rules, not anarchy. That may be because of their weird relationship with their
fans but to me that reeks of hypocrisy - be tough and rebel.. just don't be so tough and rebellious at our concerts that you hurt us..
Ok, nuff said by me on this. I'm headed to bed.
Good nite.
#12
A.L. Harper
URL
March 13, 2006
05:23 AMScott -
Who knew this would be such a contentious issue. I didn't know there were that many old punks still hanging around out there.
#13
Sister Ray
URL
March 13, 2006
07:36 AMI was a teen when the Pistols came out in the 1970s, and my suburban high school peers could not have been less interested. For me, punk rock was something you read about in magazines but never heard on the radio. Bands like Boston were much more popular at school.
I enjoyed some disco and liked the idea of punk, even though I didn't hear much of it, so Blondie was up my alley.
Vern Halen, I hadn't heard of "Crisco Party." Sounds wild.
#14
Scott Butki
March 13, 2006
08:32 AMA.L., I sort of suspected I was going to hit a nerve on this.
I don't mind people disagreeing with me.
I had my Sex Pistols stage during college orientation when I wrote a t-shirt that said anarchy and said what I most wanted in college was chaos and anarchy.
And then there was a point where I realized that wasn't really a clear path to follow.
Then I went back to fighting the isms - racism, sexism - and started listening to more Clash, U2, Peter Gabriel - and others who were also political but with more of a message about what to do with that anger we all have.
And with that I'm off to what will be my final student teaching class for many months due to some problems I won't go into here publicly.
#15
Barry Stoller
URL
March 13, 2006
09:23 AMThe reunion tour was a big disappointment, a false (possibly desperate) move, but let us remember that Lydon really did the unthinkable back in the day: He broke up the SP right as they stood on the edge of the big time. Who else did that?
And then followed it with PiL, which delivered the goods (at least for a few albums).
He's OK with me.
#16
J. P. Spencer
URL
March 13, 2006
10:18 AMI have to agree with Vern regarding '60's garage bands. I'd also add the Stooges, the MC5 and the first incarnation of The Modern Lovers to that list.
I have to give Scott credit for stating the obvious too; the Clash were a much better band than the Sex Pistols, but remember that the Clash were one of the exceptions, not the rule. Of all of the bands from the first wave of punk, maybe ten lasted more than 18 months together, and the ones who did radically changed their musical approach in later years. I can think of The Damned, The Clash, Wire, The Ramones, XTC (do their first two records count as punk? hard to say) The Jam and The Fall from those first days. If you wanted to reaaaallly stretch it, you could throw New Order and Elvis Costello in there.
DIY is and was a wonderful thought and a cool approach, but unless there was the underpinning of either adventurous songwriting or instrumental talent, you didn't last. A good example is X-Ray Spex, who had one great album in "Germ Free Adolescents", and that was it.
Even with all of that, I miss it. It helped wash the taste of disco out of my mouth permanently, for which I'll be forever in their debt.
#17
Pete Blackwell
URL
March 13, 2006
03:35 PMBad Religion were "good" "current" "punk" 20 years ago.
The Pistols were ok. At least they had the good sense to die quick and painless-like, unlike your beloved Clash. Sure, there's not a $1 million portfolio amongst those guys.
Every time one of those awful lite-rock stations plays "Rock the Casbah" one more unbearable time, they make a nickle. Since that song is undoubtedly playing somewhere on the radio at every moment of every day...well, you do the math.
The most punk quote of all time was said by Lemmy of Hawkwind/Motorhead fame: "We're the kind of band that when we move next door, your lawn dies."
#18
T
March 13, 2006
03:55 PMTo me, punk was an idea-it was a deconstruction of music, tearing away what the pop groups of the day had built. I would say that rap went through the same stripping. People were sick of hearing about things they couldn't relate to. So that's when music becomes real.
As for talent, well that is subjective as it is with any form of art. But I'm all for washing away that which is unrealistic and out of touch.
Mainstream music today blows, but i am all for the internet and the indie bands who are producing the next great wave of music. Maybe this way, the public will tell radio what we want to hear instead of the record companies...anyway I digress
P.S Lemmy rules!
#19
drzej
March 13, 2006
04:25 PMI remember hearing "Anarchy in the UK" for the first time at age 10 and it was as if someone opened the door and yanked me into the music world by my shirt collar; it was that dramatic.
A similar feeling was hearing "Smells Like Teen Spirit" for the first time at a nightclub and people literally stopped dancing to watch the video, and the DJ even replayed it. You knew something big had just happened.
#20
Scott Butki
March 13, 2006
05:03 PMI hate "Rock the Casbah."
It figures that my least favorite Clash song was their biggest hit.
#21
Guppusmaximus
March 13, 2006
08:09 PMI was never a fan of The Sex Pistols either and I agree that The Clash were way more talented, maybe not Punk they way I think of it but I wasn't old enough in the 70's to have a clue.
I think maybe you are a little to harsh on The Sex Pistols but it's nice to read an opinion that isn't sucking the teet of popularity...
Some great Punk bands(That lasted or not):
U.S. Bombs-"The World"
The Showcase Showdown-"Permanent Stains"
Darkbuster-"22 Songs that you'll never want to hear again"
Meat Depressed-"Deface the Nation"
Choking Victim-"Crack Rock Steady"
Rancid-"Rancid[2000]"
Dropkick Murphys-"The Gangs All Here"
#22
Mark Saleski
URL
March 13, 2006
08:14 PMsorry, but using 'talent' as a factor when comparing punk bands just completely misses the point.
#23
Guppusmaximus
March 13, 2006
08:20 PMI forgot.... Cock Sparrer
Yeah...Maybe not "Talent" in the sense of Buddy Rich or Yngwie Malmsteen but there were bands that had great Punk sense and could fucking rip R'n'R style. I think the notions that playing punk didn't take any talent are the ones from people who can't play their fucking instruments to begin with... AND if anyone mentions Nirvana as a punk band than you're a bigger fuckwad than Johnny Rotten,er,um...Johnny Lydon ever was!!
#24
Vern Halen
March 13, 2006
10:55 PMNo, I woudn't say Nirvana were punks, but what is the chord riff from "Teen Spirit" except the Kingsmen's chord riff from "Louie Louie" in disguise?
#25
Scott Butki
March 14, 2006
01:00 AMDon't forget Seven Seconds, Minor Threat and
All/Descendents.
Was just watching the Colbert Report and he worked a Sex Pistols reference into the opening: "Never mind the bollocks this is the Colbert Report" and later used their note to the Hall of Fame as part of his campaign to get some jazz guy inducted.
#26
Hunter
March 14, 2006
01:08 AMThe Sex Pistols occupy one of those strange spots where the band is far more historically important than they are musically important as far as the history of rock and roll is concerned. The Sex Pistols deserve to be part of the Rock and Roll Hall of Fame because they inspired other, better, and, most importantly, less contrived groups to form. Much like Nirvana was important because they started the commercial breakthrough of alt-rock and grunge, not because their music (which was pretty great) particularly groundbreaking.
In any case, the Ramones and the Clash were far more influential artistically than the Pistols, without question, but the Pistols deserve to be enshrined for their commercial influence. Yes, the Sex Pistols were the punk rock Monkees, but imagine if the Beatles had not gained commercial appeal and it took a rip-off band to start the British Invasion. That rip-off band would certainly have gained inclusion in the Hall of Fame. So should the Sex Pistols.
#27
Brady
March 14, 2006
04:13 AMThe Sex Pistols are a (mostly) living, breathing, walking (somewhat), and fascinating paradox. In the beginning - as any fan would know - they were brought together by a brilliant svengali (Mclaren), who alas (or perhaps at the same time auspiciously) was a servant to his most superficial urges and desires: Basically a style over substance man in the guise of a political/social provocateur. However Malcom had not counted on or underestimated the trenchant wit and intellect of Mr. Lydon. The other four were either rockers with good taste (Jones, Cookie), talented enough to string together a pretty fair tune (Matlock) or doomed to one-dimensional rock iconography (Sid). The reason I bring this up is to illustrate that although the band was prefab (ala Monkees) they were also very aware of that fact and able to inject enough of their own personalities into their one and really only recording - Never Mind the Bollocks. The band (sans Sid) has had to cope with something Kurt Cobain never had to: life after Punk Rock. I argue that as soon as one reaches the point in his/her life where they decide that there are enough pros to outweigh the cons in this world to keep on living they start with the "portfolio" if they are lucky enough. Sure Leonard Cohen can go to Tibet or be a busboy in a restaurant but he's still got royalties from his book and "Suzanne" to fall back on. I'm as ashamed as anyone that I wasn't able to turn back the tide of capitalism with my guitar and usher in an age of egalitarianism ( I still try). However, we must recognize that point in our lives when we believed with all of our fucking heart that we could. That's what the Sex Pistols represent to me, even after the stupid quotes and contraditory statements by Rotten et al. The Rock and Roll Hall of Fame might be bullshit, that is very arguable but not the passion in Lydon's throat in 1977. If he was bullshitting us then kudos for his acting because they should give him a belated Oscar (surely over Crash but that's another story). The Clash do rule as a fuller realization of the power of Punk Rawk but they had issues with stardom and money too. If the Clash are in then the Pistols should be too. Let them say contradictory things and talk alot of shit 'cause if the Pistols were prefab and still made an album that rocks like Bollocks well then never mind the bollocks 'cos noone has made one yet that outrocks it.